Free Download: Destiny's Child - Bills Bills Bills (Harmonimix)

Before he was winning the Mercury Music Prize and cringing his way through Newsnight interviews talking about 'ambient chillax', one of the many reasons that the leading gent of UK electronic music was generating such a buzz was his ballsy takes on chart-straddling pop, hip-hop and R&B hits from across the pond. One of the few to ever see life on vinyl was this twisted, synth-and-clicks-driven version of Destiny's Child's 'Bills Bills Bills', which appeared alongside an 'A Milli' remix on an unofficial white label. And even as the innovative Brit finds his services under request from the likes of Drake and RZA, his early days still sound something like a future that we're yet to catch up with.

Download: Destiny's Child - Bills Bills Bills (Harmonimix) [320kbps mp3]

Download: Destiny's Child - Bills Bills Bills (Harmonimix) [WAV]

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LEVELZ - LVL 01.1

We've been saying it long enough, and our friends at Hit & Run have always been ready to provide lineups that attest: Manchester is the UK's leading light when it comes to MCs. Anyone needing a convincer might listen to the cypher cut, 'Bun Ya', from DRS' 'I Don't Usually Like MCs But...' LP. And whilst the likes of Strategy, T-Man, Skittles, Fox and Sparkz may be familiar to some from their appearances in the 'feat.' bracket on some of the biggest beats from the past couple of years - without even having to mention 'Marka' - there's no better place to catch them than passing a mic, stood in between a DJ and a bopping crowd.

And that's exactly what we have here, the first in a three-part cypher session (with future episodes seeing Chimpo and Dub Phizix take to the decks): Jonny Dub mixing slick with a whole host of Manchester's finest trading bars.

Levelz is the start of something very exciting, believe us.

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Featuring: Facta

Photo by ShotAway.com

A young producer who's been fairly firmly on the Hedmuk radar since first hitting us up with a pack of beats a few years back, Facta has, since then, been steadily carving his own niche into the UK underground's ever-shifting sound map. With one foot held steady in his '06-dubstep roots, the other treads through garage, grime, UK funky, hip-hop and the trippier side of experimental electronic and what results is sturdy, rough-edged and system ready. This broad approach is what makes the East Londoner's beats so captivating: whilst one might be swinging out off tough kicks and snappy snares, the next will be all tucked grooves and slinky hi-hats, and the next still will just have you sat bewildered at how he's managed to fit every bit of it together to make something that moves so slickly. It's not worth simply saying he's one to keep an eye on; it would be more accurate to just wish anyone luck in predicting which direction he might lead that eye in next...

Hedmuk: By way of introduction, what's your name, where do you hail from and how would you describe your sound?

Facta: My name’s Oscar; I grew up in Hackney, East London, and currently live between there and Bristol, where I’m living and studying most of the year. In terms of my sound, I tend to see everything I make in terms of dubstep as that’s where I initially found my roots – realistically, though, I produce a variety of styles that draw from garage, grime, dubstep, techno, hip-hop and breaks to varying degrees.

H: Would you consider yourself as being from a musical background, or is it an interest that you've developed yourself?

F: Well it wasn’t as if my parents were playing in bands or singing in choirs or anything, but like most families there was always music about in the house and from a young age I was slightly obsessive about finding my own path within music, which was something that my family always encouraged. When I was 9 I was convinced that I’d be in a world famous punk rock band touring the world by the time I was 16 – I’m ashamed to say that I’ve let my kid-self down in that respect, but I guess I’m still driven by the same ambition to create stuff now as I was then.



H: In terms of your actual production, you seem to take a mostly sample-based approach; do you feel like having a wide sphere of influence helps with this? Where, or from whom, would you say you take most influence from?

F: Yeah, well that’s definitely the key characteristic of my sound – I work almost entirely from samples; it’s partly due to an inability to programme synths very well and partly down to a deep respect of the whole culture and procedure around sampling. I listen to a lot of hip-hop and experimental electronic music, from which I have developed a love of rough, fast sample work. I’m also heavily influenced by non-electronic music – most recently jazz in particular. For this reason I’m always hesitant to make music that sounds overly polished or fine tuned; when I produce a track I like to cut up the samples right on the grid, trying not to quantize things too heavily or cut the clips too precisely: I tend to leave in trails and imperfections so as to maintain as many of the nuances of the original source material as possible.

H: A lot of people from the city talk about Bristol as being a great creative environment to live and work in: is this something you would agree with? How important is the sense of existing within a creative community to you?

F: Bristol is definitely a special place. I could talk on for hours about it, but anyone who has spent any length of time here will agree that there is something about the city and the scene here that just feels distinct from the rest of the UK. It’s always had its own path and it continues to develop on its own trajectory: Bristol Dub and Reggae, Bristol Jungle, Bristol Trip-Hop, Bristol Dubstep and Grime, Bristol Techno – these have always been special, unique pockets within their relevant scenes and all have a unifying trace running through them. It’s a constant source of inspiration and motivation to work and play out here, not only is there a huge audience for forward-thinking, experimental music but everybody is willing to help one another out and collaborate in a way that I never see happen in places like London.

H: Your tracks have featured heavily on Dusk & Blackdown's Rinse show in recent months, how does it feel to have that kind of backing? How far would you consider this idea of a musical community to extend to the tight group of artists being represented on the show?

F: It’s been a massive honour to receive recognition from figures that I have looked to and respected for years and years, and it’s been particularly great to be involved with the pocket of artists working within the Keysound sphere over the last half a year or so: it has the perfect combination of feeling like a tight, cohesive movement whilst still remaining totally undefined and uncontained. There’s a massive variety in sound from producer to producer: nobody feels like they’re stepping on each other’s toes. We’ve all got our own room to breathe within a collectively-occupied space and that’s a very inspiring thing to be a part of.



H: You've also recently started a night in Bristol: can tell us a bit about your reasoning behind it, and what sort of ethos you're aiming for?

F: The night in Bristol developed as a result of me and two friends deciding we wanted to throw no-nonsense parties at some of the cooler, smaller venues across Bristol: you can’t move for great, cutting-edge line ups at big clubs in Bristol, but we did feel that there was room for a party where the emphasis was taken off new music and reinvested in location and atmosphere. So we hatched the idea of throwing house party-esque events at cool locations where we’d just ask friends and DJs to come down and play sets that they wouldn’t be expected to play, giving them the chance to draw strictly for their favourite party jams. We called it Elephant 'cause that’s a dumb name for a dumb club night. It’s going to be sweet.

H: Take us through how you approached the mix you've put together for us.

F: Well I’ve recently been lucky enough to get to know a bunch of stupidly talented producers – both in person and through exchanging tunes online – and so I wanted to throw as many of them in as possible, plus include a few of my own. The mix sits somewhere between what I’d consider to be home listening and the sort of thing I’d play in a club. Normally when playing out I tend to get carried away dropping fruity old garage tracks and golden era dubstep and grime; I’ve reigned that in a bit for this mix, although couldn’t help but slip a few percies in.

H: Finally, are there any forthcomings lined up or anything else in the pipeline that you'd like to put the word out on?

F: I have a vinyl-only 12” EP coming out this summer which will feature 'Montpelier', 'Kobra' and 'Upsetter'; I have a track with K-Lone that's just come out on the unbelievably-good debut 'Chord Marauders' compilation [now available exclusively from the Chord Marauders website]; I’m in talks about a few other 12”s, although nothing is set in stone; I’m working on collaborations with a bunch of producers including Gantz, Wen, Rabit and B9. I’m going to be playing at Summer Saturnalia festival in July alongside Pinch, Elijah + Skilliam, ∆kkord and Gantz, and that’s about it on news. Thanks a lot for having me on – been a pleasure to get involved.



Download: Facta - Hedmuk Exclusive Mix



Tracklist:


$tush - Dollar Sign [Social Circles]
E.M.M.A - Cherry Favour [Dub]
Facta - Montpelier [Forthcoming]
Beneath - You & Me Remix [Forthcoming]
Dizzee Rascal - Strings Hoe (Wen Remix) [Dub]
Facta - Kobra [Forthcoming]
Brunks - Steppin' [Dub]
E.M.M.A - Untitled [Dub]
Facta - Hieroglyph [Dub]
Epoch - Gun Talk - [Egyptian Avenue]
Gantz - Free Focus [Forthcoming]
Sepia - Outbreak [forthcoming Redshift One]
James Fox - Put It Back (Ramadanman Remix) [TAKE Records]
Etch - Lost Methods [Dub]
Karma - Armshouse Dub [Dub]
Wen - Galactic [Dub]
Bloom - Quartz [Gobstopper Records]
Facta - FWD [Dub]
Amoss - Tangent (Geode Remix) [forthcoming Horizons X]
Facta & K-Lone - Voodoo [Chord Marauders]
Solwork - L Town [Dub]
Geode, B9 & Congi - Scrumpy [Chord Marauders]
Facta - 36th Chamber [Dub]
Kode9 - Addiction - [Hyperdub]
Rabit - Wolf Spider [forthcoming Glacial Sound]
K-Lone - Melt [Dub]
Mark Pritchard - Heavy As Stone [Deep Medi]

Facta - HEDMUK Exclusive Mix by Hedmuk on Mixcloud

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Radio: Hedmuk Jam Session #2 X Rood FM - 10/04/13

Hedmuk Jam Session #2 X Rood FM - 10/04/13

Download: Hedmuk Jam Session #2 X Rood FM - 10/04/13

Stream: Hedmuk Jam Session #2 X Rood FM - 10/04/13

Tracklist:

Funky Notes - Never Knew
A$AP Rocky - 1Train (feat. Kendrick Lamar, Joey Bada$$, Yelawolf, Danny Brown, Action Bronson & Big K.R.I.T.)
Datkid - Think It Froo (feat. Upfront, Bil Next, T-Vision, Res & Paro)
Onoe Caponoe - Narnia On Pluto (feat. Jehst)
The Beatnuts - Watch Out Now
Jack Jetson - Step Back (Venuq Refiqs)
Trellion & Figment - Spanglers Attic (feat. Skamma, Tk1, Ral Duke & Sniff)
Big Pun - Beware
Melanin 9 - White Russian (feat. Roc Marciano)
ODB - Shimmy Shimmy Ya
Organised Mess - Grawler (feat. Mnsr Frites, Fourny P & Jester Jacobs)
Anita Tijoux - Partir De Cero
Raekwon - Guillotine Swordz (feat. Ghostface Killah)
Dirty Dike - What D'you Expect? (feat. Mr Key, Jam Baxter & Ronnie Bosh)
Clear Soul Forces - Stick 'Em
Verb T - Said & Done
East Flatbush Project - Tried By 12 (feat. DeS)
The Mouse Outfit - Shak Out (feat. Sparkz)
Children Of The Damned - You And Your So Called Friends
Big L - Deadly Combination (feat. 2Pac & The Notorious B.I.G.)
Datkid - Home By 8
Mobb Deep - Party Over
Gang Starr - Full Clip
Dizzee Rascal - 2 Far (feat. Wiley)
RA The Rugged Man - Stanley Kubrick
Sparkz - Smokin' Ganja
Children Of The Damned - What The Hook?
Wu Tang Clan - Protect Ya Neck (The Jump Off)
Cheech The Grim Reefer - Hit The Weed (feat. Black Josh)
Big L - The Enemy (feat. Fat Joe)
Trellion & Figment - Story Of The Shadow Pt. 3
NTM - That's My People
Black Josh - Triple 6's (feat. Truthos Mufasa) (Prod. Mad Alpha)
The Cool Kids - Black Mags
KMD - F*@# Wit' Ya Head!!
Cypress Hill - I Ain't Goin' Out Like That
Fliptrix - Circulated Stanzas
DJ Shadow - Organ Donor

Hedmuk Jam Session #2 X Rood FM - 10/04/13 by Preacha [Hedmuk] on Mixcloud

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Competition: Win tickets to APE 7th Birthday @ The Warehouse Project, Manchester, 13/10/12 + APE Merchandise

The Warehouse Project has risen over the last six years to near-legendary status. Beginning in an old Boddingtons Brewery in Strangeways, before moving to the otherworldly underground car park space beneath Manchester's main train station and then, in Easter of this year, to the cavernous Victoria Warehouse in Trafford Park, the Project is seen as not just a series of top lineups but also as an experience in itself. It's difficult to talk about clubbing in Manchester without mentioning the Hacienda, and many perceive the yearly 12-week runs of WHP events to be an extension of that vibrancy and creativity that first put The Rainy City's dance music scene on the map.

And yet another staple of Manchester's ever-bristling nightlife is APE; a name synonymous with big raves, eclectic lineups and huge parties hosted at the Warehouse Project. This year's seventh birthday celebrations are no different, and that online tickets for the event sold out more than a week in advance is testament to both the quality of the music on offer and to APE's reputation when it comes to throwing a party. This Saturday's lineup mixes iconic performers across a range of styles, such as Sir David Rodigan MBE, Benga, Shy FX, Jackmaster, DOOM, The Bug, Andy C and DJ EZ, with some of the newer breed of talent, including Deadboy and Redinho, and is set to be an all-encompassing route through the realm of soundsystem and rave culture.

With all this on offer, we've hooked up with APE and the Warehouse Project to offer the chance for two winners to bag plus-one guestlist entry to this sold-out event as well as an APE hoody to pull up over your head for the cab-ride home. To enter, just send your answer to this simple question to hedmuk@gmail.com with the subject 'APE Competition':



In what year was the very first Warehouse Project event?



The competition will close on Friday the 12th of October, on which date two winners will be chosen by an independent third party, announced on Facebook and Twitter and notified via email. For more information on the event, including the full lineup and more information about the artists performing on the night, head over to the event profile page at the WHP website here.


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Featuring: Legend4ry

One of the hardest working producers around, Legend4ry is known not only as a talented beatsmith but also as a tireless promoter of all that's positive in music. Striking a balance between a fierce sense of independence and a dedication to pushing good music to new ears his is an interesting take on what might loosely be called 'the music industry', and this is continuously reflected in his own tunes as he refuses to be boxed in by genre specifications and other industry terminology. The result is music filled with a striking sense of originality and a feel that is instantly recognisable as 'Legend4ry'. We caught up with him to talk about his approach to making beats, among other things, and got him to contribute the latest mix to our series.

Hedmuk: To introduce yourself, what's your name, where are you from and how would you describe your sound?

Legend4ry: I'm Chris Gallienne and I make music under the moniker of Legend4ry (as well as Lienne and JustAnotherAlias). I'm from Woolwich which is in the borough of Greenwich in South East London.

I would describe my sound as bass music with an emphasis on pads and percussion.

H: When did you start making beats? Had you made music in any other forms beforehand?

L: I started making music at around 14 or 15. I distintively remember having a copy of Ejay from a PC magazines demo CD which only had about 20 loops in it when I was around 10/11 which I used to drive everyone in my family bonkers with hearing the same stuff just moved around a little bit each time. Someone uninstalled it from the PC and took a key to the disc to deem it unuseable (harsh, I know! Still don't know who did it (laughs)). Other than that I had toyed with things like Music/Music2000 on the Playstation but didn't really 'get it' . I have always liked the idea of making music but never really pursued it until I was around people who felt the same way.

Six Feet Deep (forthcoming) by Legend4ry

H: You've got huge variation in your productions, ranging from straight-up dubstep, to hip-hop to beats hanging around the 130bpm bracket: Is this something intentional, aimed perhaps at keeping your production fresh, or does it just happen for you? How do you balance all of it?

L: I start making music by finding a break, a sample or even a sound and find something which 'hits' me in a certain way (which is hard to explain) and sometimes I'll think "I need to go a bit hip hop with this" or "this would go well in a house tune" and then work from there.

95% of the time I will have the intention of making a dubstep track and if it starts to shape into something else then I will let it. I don't think its healthy to force a tune into being something it isn't. Even if I have never made that genre before I will always stick with an idea if it's solid. I am not afraid to make other genres, I think a lot of people give off that impression with their music, each tune just sounds like a re-hash of their last tune with a few set of drums: that doesn't interest me at all! I want to take music as far as I can as a person not genres.

This is what 'JustAnotherAlias' is all about, when I make music which isn't totally a "Legend4ry" track I put it into the JustAnotherAlias name so as not to stear one name in too many directions. I don't really push this alias as much as I should, with only one commerical release under that name and a recent self-released free EP called 'An Introduction'; a mix of house, dubstep, hiphop and triphop. On the whole, JustAnotherAlias is more of a personal project for now.

H: You also host your own radio show, Wednesd4ry: what was the original thinking behind the project? Have you any plans to expand it?

L: Wednesd4ry is primarily a vinyl-only radio show (with the addition of a CDJ if a guest brings it themself) broadcasted with video which is thrown every Wedneday with my best mates T4X and Chris Melo.

It started from me and T4X wanting to get on radio and we played on pirate station WaxFM after doing a one-off internet show and really enjoying it. We stopped broadcasting on Wax as it was cheaper to buy our own webhosting and stream it ourselfs pushing dubstep and we also do the odd hip hop set.

We recently revamped our website and hit our 50th show a few months ago which was a really big thing for us! We had a huge party with ballons to celebrate and got some of our past guest as well as other DJs to come down and play (the line up was Myself, T4X, Melo, Triggy, One-R and Focus).

Carrying on from that we now have a pretty solid regular fan base and will continue to be independent from any other radio show, having a one-off broadcast every Wednesday. We don't have to compete with DJs who played before us nor have any constrainsts on how long we can play or be told how to act when on air. I think this helps us do the best show we can, play what we feel like and just have a radio show which is a fun and interesting listen. I think a lot of radio shows these days are all about dubplates and are very formal, and that's not our cup of tea.

Legend4ry - A Journey Through Sound (DANK005) by Legend4ry

H: Some may also know you as one of the moderators of the Production forum on dubstepforum.com, how did you get involved with the guys who run the site and what were your motivations behind taking up the post?

L: I have always frequented dubstepforum, it has been one of my main sources of browsing on the internet for around 5 years now. When I got more into making music and wanting to better my music I pretty much 'lived' in the production area.

At around '09ish the production forum wasn't really moderated by any of the current mods and it was a death trap for anyone wanting to ask questions which have been asked before due to unhelpful members and no moderation. As a forum we nominated Shamanji to moderate the board, after a few months he went on tour with his partner (who together make up Sub Swara) and asked Dubway to add me as a mod temporarily while he was on tour. Long story short, Mr Shamanji is a busy man and had to step down as a mod so I became the dedicated moderator for the production forum. Now its run by myself, Pete Bubonic (aka forsaken/runs the Soul Motive label) and Wub, who is famously the funniest person on the forum (and probably the whole of the internet in my opinion).

Together we try and make it a place where you can get the help you deserve and we constantly add to the huge database of knowledge we call the 'Production Bible' which is a great resource for anyone wanting to get into making music.. It covers everything from making sounds to layering drums, mixing down and where to find the best and cheapest mastering all the way through to being an artist in this day and age. I think this is my motivation for moderating the board, I like the fact that I can hand pick discussions and add them to the Production Bible which helps people stick at making music; that is something I struggled with for a few years before I found my feet. Obviously I like the fact there's less spam and derailing of topics as it makes it a pleasant place to browse and to be part of it makes me happy in some way!

H: Tell us a bit about how you went about putting together your mix for us.

L: Honestly, I thought about a mix to show to off my DJing skills but then I thought that's a bit of boring: people can listen to my weekly show, or come see me out to hear how my DJing is. For this mix I picked tracks I am really feeling at the moment to create a interesting listening experience as opposed to something that needs all your attention. It goes from a mellow start to house pitched up to 140 and then to loads of my own tunes with the odd track by someone else. I took a really mellow approach with this mix, so pop it on when you're sitting on the train or having a nice lazy day; that's where it sounds best!

H: Finally, are there any forthcomings or anything in the pipeline that you'd like to put the word out on?

L: I'm playing the Audio Doughnuts first birthday on the 25th of this month. Don't forget to lock into my weekly radio show every Wednesday 8-10ish (pm) GMT at www.Wednesd4ry.com. My 'New Directions' EP recently got re-signed to Dubstrict Records after a bit of a ca-fuffle over which label is going to sign it, so that's good!

Shout outs to: Crises, Majora (aka Bandicoot), T4X & Melo, Sashwat (of Dank N Dirty Dubz), Dubstrict Records family and anyone else who pushes and enjoys my music!

Not forgetting thanks to Hedmuk for asking me to do one of these: I've been wanting to for ages!


Download: Legend4ry - Hedmuk Exclusive Mix

Legend4ry - HEDMUK Exclusive Mix by Hedmuk on Mixcloud

Tracklist:

SUBLiMiNALS - The Creeper [Crossroads Records]
Ex1 - WHUT! [Dub]
Majora - Lost In Diamonds [LNUK]
Hectic - You Got Me (Blink Remix) [Dub]
Legend4ry - Dynra [Dub]
Legend4ry - Dream [Dub]
Aftee - Our Empire (Legend4ry's Broken City Remix) [Forthcoming DisquietMind]
ENiGMA Dubz - Badness (Legend4ry's Thoughtful Remix) [Dank N Dirty Dubz]
Mr Sly - Shorty [Dub]
Fish Finger - Pimp Juice [Dub]
Pistonsbeneath - Blue Jaunte [Forthcoming MindstepMusic]
Legend4ry - Hidden Danger [MindstepMusic]
Legend4ry - Detramental [Forthcoming Dubstrict Records]
Legend4ry & Trashbat - Nile [Dub]
Legend4ry - Convolution of Revolution [Dub]
Legend4ry - The Lovely Bones [Dub]

.Preacha.

Featuring: Karma

Karma is a rising talent we've had our eye on for a while here at Hedmuk as he brings something genuinely unique to the table in terms of his production. With a background in making hip-hop beats and drawing influence from a wide spectrum of bass-led music, Karma blends laid-back melodies with carefully constructed, weighty basslines and tight rhythms to make music equally at home in headphones as on a big club system. We caught up with him for an interview to discuss all of this, aswell as his recent move in signing to MindStep Music and got him to put down a mix for our ever-expanding series.

Hedmuk: To introduce yourself, what's your name, where are you from and how would you describe your sound?
K: Hi, I'm Corin (AKA Karma), and im from Penge, South-East London. I would describe my sound as sub-heavy bass music ranging between 130-150Bpm. I try to make captivating music, which could go off in a club, or be listened to at home.

H: Are you from a musical background, or is it something that you have picked up yourself?
K: Fairly, I've always been fascinated by music from a young age and I've been playing the drums for about 8 years now. My granddad worked for UNESCO back in the day, recording tribal music around the world, and he left me a huge archive of records he recorded which I've made much use of in my music since.

Tunnel vision by KarmA

H: Where, or from whom, do you take your influence when it comes to making a tune?
K: Alot from Dub/Reggae, which was sort of my gateway into Dubstep at first, but also Jungle, and 90's Hip-Hop. The thing is, I find inspiration comes from everywhere, not just music. It can come from the city I live in, the places I go, people I meet, even the colour of the sky!

H: Does being from London, the city responsible for such an influence on the dubstep sound, bear a particular significance to you in terms of the music you make?
K: Most definitely. London is without a doubt the central hub for almost all genres of dance music which have influenced and helped create what Dubstep is today, from Acid House, to Jungle, to Garage. London therefore has that atmosphere/energy to it. I admire the evolution and roots of these genres, which I try to incorporate into my music, so that whatever you're into you can find that little hint of Jungle or Garage, or whatever may suit you.

H: You've recently signed to MindStep Music: how did that come about?
K: Well, I'd been making music for roughly 5 years and was getting really frustrated just sitting on tracks, so I started sending them out to people. It was hard getting noticed at first, Crises was one of the first DJs who took an interest. I then bumped into him down at FWD>> one time, and we got chatting about where we could go from there. I kept sending him tunes after that, and well.. here we are now!

H: You make a wide variety of beats, taking in hip hop and some grime: is this something that comes naturally? Do you plan to work with vocal artists in the future at all?

K: I used to make Hip-Hop before, so have worked with quite a few vocalists/MCs in the past. At this stage, with the music I'm making, and pushing, I'd like to keep things instrumental but I do have plans and ideas for the near future to work with vocalists, but not just yet.

Amnesia by KarmA

H: Tell us a little about how you went about putting together the mix you've done for us.
K: The mix I've recorded is sort of a showcase of my interpretation of the sound. Plenty of dubs from myself and a few other artists who I feel are pushing a similar sound, and have a similar perception of the genre.

H: Finally, is there anything forthcoming or in the pipeline that you'd like to put the word out on?

K: I have a forthcoming EP on Mindstep. No dates yet, but keep a look out!
Peace, and thanks for all the support: one love!


Download: Karma - Hedmuk Exclusive Mix


Tracklist:

Karma -Tunnel Vision (Dub)
Dubtro - Fast Craw (Dub)
Karma - Ronin (Dub)
Karma - Ginza Line Dub
Kromestar - Thru The Blinds (White)
Karma - 176 To Nowhere (Dub)
Legend4ry - Detramental (Forthcoming Orientis)
V.I.V.E.K - Spread Love (Deep Medi)
Karma - Critical Jack (Dub)
J:Kenzo - Protected (Tempa)
Pressa & Crisp - Monitored (Mindstep)
Karma - Next Men (Dub)
V.I.V.E.K - Roots (Deep Medi)
Thelem - Lucid Dream (Forthcoming Orientis)
Karma - Amnesia (Dub)

Karma - HEDMUK Exclusive Mix by Hedmuk on Mixcloud

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Outlook Festival, Croatia - 2011 Lineup Revealed

.Preacha.