Showing posts with label El-B. Show all posts
Showing posts with label El-B. Show all posts

Wednesday, 12 March 2014

Review: Wen - Signals [LDN044]


There's a clutch of tunes here that will be familiar to many listeners already - the likes of 'Galactic', 'Persian' and, more recently, 'Play Your Corner' having been doing the rounds on radio shows and mixtapes -  but for the most part, the album comprises of fresh material. This dialogue between new and old is, as much as the snipped vocal clips, the sort of constant which elevates the record's status from being merely a collection of songs, to a cohesive album; and that this is something so rarely achieved within electronic music needn't be played down.

In fact, one of the undoubted highlights of the LP has had its choppy vocals pressed to vinyl once already, but returns here reworked and churning a sweet nostalgia for the - pun no doubt intended - swinging days of dark garage experimentalism. Simultaneously paying homage to Keysound's own catalogue numbers, the 'LDN Mix' of 'Swingin'' is Wen imagining what El-B and Horsepower Productions might have done with the same source material; the result is as you'd expect, but that he manages to carry it off so convincingly is a testament to his production abilities.

And whilst some might argue that such nostalgia is often little more than repackaging for an unknowing audience, the dismantling of 'You Know' from an almost by-numbers steel drum-riff-plus-R&B-vocal-sample slice of anthem garage to an eery, piercing soundscape presents the LP's dialogue on a micro scale. That it tails off from here into the Random Trio-indebted drum shuffles of 'Persian' only makes the historical trawl more complete.

As well as the increasingly-imitated marriage of swollen bass hits and sharp synths that has come to typify Wen's sound, a common sonic theme throughout 'Signals' is his use of rewind and fast-forward effects - that is, shaping and tailing grooves using tape-stops and forward seeks. Though this sense of searching through tracks and albums may be all but lost on today's younger generation of listeners, for others (Wen himself no doubt included) who have grown up through the technological developments which have seen tape cassettes replaced on shelves by CDs, and then the shelves themselves replaced by the scroll wheel and the rise of online retail, these little become something of a leitmotif for the album's past-present-future dialogue. That cassettes, though admittedly not in any wide way, have been re-adopted more and more by small independent labels over the last few years fits nicely with this idea of back-and-forth.

The album concludes with a first, in the form of Wen's first officially vocalled tune to reach public ears. It's fractious, unsettled and raucous in all of the best ways, and Riko asserts himself as one of the most underrated MCs that the grime scene has produced. It's all in the combination here, though: simply put, Riko is one of the few MCs who can truly capture the feel of a radio set when laying down vocals on a tune and he's aided aptly by Wen in this, whose sonic aesthetic is heavily indebted to the crackle of the pirate radio dial.

Much of this, however, is what we could have expected from a Wen album. But that's fine: a debut album is an artist's opportunity to position themselves within the wider context of their influences and the scene surrounding them, and Wen does so here with a measured confidence.

There's a gentle irony to the cover's 'One way' signal: this is an album that is both knowingly and refreshingly dialogic in sound and aesthetic, and, looking to the future, one which will no doubt be cropping up regularly when it comes to end-of-year list season. The future is Wen. (You thought we'd make it through a tense-littered review without punning on "when"?)








Tracklist:

01. Intro (Family)
02. Galactic
03. Lunar (feat. Blackdown)
04. You Know
05. Persian
06. Swingin' (LDN mix)
07. Vampin'
08. Time (feat. Parris)
09. In
10. Signal
11. Nightcrawler (Devils Mix)
12. Play Your Corner (feat. Riko)

Wen - Signals [LDN044] will be released via Keysound Recordings on vinyl and digital formats on March 17th, and is available to pre-order from Boomkat now.

To listen to the album ahead of release date, click over to Resident Advisor for a full stream.

W.

Saturday, 10 March 2012

Featuring: Etch

For the latest in our features series we're taking the tempo down by a few notches to focus on the garage-led sounds of a nineteen year old producer from Brighton: Etch. Coupling tight, swinging rhythms with dark, grimey basslines similar to those pioneered by the likes of Zed Bias, El-B, Horsepower Productions and Darqwan at the turn of the century, Etch provides an update to the sound by drawing in influences from the musical landscape which was to develop as a result of the experimental work of these proto-dubstep producers; he is undoubtedly a young talent to be keeping a close eye on. We caught up with him to get his take on this, and he's also contributed a fresh selection to our exclusive mix series.

Hedmuk: As an introduction for those who may not yet be familiar, what's your name, where do you come from and how would you describe your sound?

Etch: Yo, I'm Zak I'm from Brighton and I'm currently living in South London studying sound design at Ravensbourne University. I like to think of myself as a Brightoner forever though. I make 130-140bpm bass-forwarded, 2-step-vibed music' as much as I love dubstep and could easily just describe myself as a facet of dubstep, I try to keep away from the term because it's a bit of a two-edged sword: in one way it describes myself relatively easily and it will attract an audience, but then in another way the term dubstep has come to mean a lot of things that people look down on and that I personally don't really like. So 120-140 bass music does the job for me. And don't even get me started on the term 'future garage' (laughs).

H: Would you say that you've had a musical upbringing, or was it something that you picked up yourself? Had you been involved in making music in any other forms previously to Etch?

E: Primarily I've found music out for myself, such as dubstep and IDM etcetera, but initially I was drawn to music that was just...different to what was being fed to me everywhere else. I think the first things that turned my head were my uncle's old rave records, stuff like Altern8, Manix, Joey Beltram, 2 Bad Mice etcetera. He always used to be playing those when I was real young, but it kind of embedded in me; I still love those records and have them myself now, all that 1992-1996 borderline jungle/hardcore stuff is probably my favorite type of music despite my music sounding more like garage.

I went through a bit of a gothy phase too which eventually lead me to Nine Inch Nails and Joy Division, who I still love and take a lot of influence from. And then mainly the urge to start producing music came from drum & bass. I was put onto it by some mates when I was about 12-13: always the darker stuff like Technical Itch, Calyx, Limewax old Dieselboy mix CD's. It was the curiosity of how all that stuff was made that eventually got my to pick up a really early version of FL Studio when I was about 14 and that's where it all began, and I still use that software. From then 'til about the age of 17 all I made really was drum & bass.

H: You linked up with Vekta Records last year to put out the RGB EP and the RGB Remixes EP; how did this come about? Have you any plans for more releases like these?

E: The Vekta thing came about through a mate putting me onto David who runs Vekta. He wanted to put something out by me and I had already started work on something I was just going to put out myself, the idea around it was 3 tunes that kinda related to the colours of the track titles in my opinion: like Green, when I heard that synth I used for the first time it just made me thing of green, the same with Blue; and Red was just angry and dark.

I was proper happy with the remixes EP; Palace's remix of Green is just unreal, the same to my boy Ampersand's remix of Blue. It's amazing to hear other peoples take on something you originally created, it's really refreshing and it really influences you to go and make more music. I'll probably have more stuff coming up with Vekta in the future.

H: Tell us a bit about the mix you've laid down for us.

E: The mix is just collection of tunes I love, my own tunes and some stuff that people around me have been making that I really think deserves a heads up, such as stuff from my boys Niall Lancaster (Nausea) and Ollie Stallard (Atlas). Also bits from J-One, My Nu Leng and Wen, who are all huge. I also missed out a tune I was going to drop by a producer and wicked DJ who's been holding it down for years: Theo Bennett (Sepia/Brown Noise). I put in some of my old garage faves and some old halfsteppers I still love, finished it on a jungle vibe because that is pretty much all I've been listening to lately. So yeah, it's basically just an amalgamation of what I love and take most of my influence from.

H: Finally, are there any forthcomings, bookings or anything else in the pipeline that you'd like to put the word out about?

E: I have a forthcoming release on Nineteen89 Recordings, a label that's just starting up. It's got some wicked releases lined up from Rumah and J_Boa and it's got a really cool artistic direction, I can't really comment on the release dates and whatnot though, it's all very hush-hush at the moment, but follow them on Facebook/Twitter to keep updated. I'm also playing at the next Eyes Down night on March 31st in North London alongside Whistla and Blue Daisy, check them on Facebook for updates on that. I'm also working independently on a series of remixes of my favourite old Jungle and Hardcore tunes which I will release via bandcamp with a cool artistic direction, hopefully with some assistance from one of my housemate who does graphics and illustration. Other than that just keep your eyes out on my Twitter, Wordpress, Facebook and Soundcloud for upcoming releases and shows!



Tracklist:

Etch - Miracle [Dub]

Photek - The Rain (Etch Reflected Refix) [Dub]

J-One - Droplets [Dub]

My Nu Leng - Clockwork [Free via Hedmuk]

Etch - Tek-9 [Dub]

Atlas - Level Feeling [Dub]

Nausea - Girl, Tonight I’m Gonna Have You On The Floor [Dub]

Ray Hurley - Vicious (Sovereign Dub Mix) [White]

Ghost - 2000 [Ghost]

El-B - El Brand (Dub Mix) [White]

Etch - Spaceman Riddim [Dub]

Loefah - Rufage [DMZ]

Dismantle - Time’s Up [Terrain]

Wen - Takin’ Over [Dub]

Digital Mystikz - Ancient Memories (Skream Remix) [DMZ]

J Sweet - Marxman Remix [White]

Jon E Cash - Hoods Up [Black Ops]

Wiley - Stormy Weather Instrumental [Southside Recordings]

Roni Size & Reprazent - New Forms (feat. Bahamadia) [Talkin' Loud]

Goldie - You & Me [FFRR]


.Preacha.


Friday, 24 December 2010

Free Download: Zed Bias - Lost Dats Archive: Vol. 1



Manchester garage legend Zed Bias has further secured his legendary status this festive season by releasing a massive pack of twenty tracks worth of old school gold. Featuring original productions from the man himself as well as remixes of the likes of El-B's 'Serious' and 'Girls Like Us' by the B15 Project. With this collection being called 'Volume 1', it can only be hoped that there will be a lot more to come in the near future...


Download: Zed Bias - Lost Dats: Vol. 1


.Preacha.

Wednesday, 2 June 2010

Dummy Mix 36: Pariah - UK Garage Mix




The latest to drop in Dummy Magazine's mix series is a real treat for all those anticipating a summer of UK Garage vibes. Pleasing one and all simultaneously, Pariah's mix moves through all aspects of the sound: moving from melodic steppers with cute female vocals, to straight-up four-to-the-floor dancefloor numbers and rounding off with some deeper, darker rumblings. With a 12" out on R&S Records already, and a double-pack in the pipeline, as well as a host of bookings playing out alongside the likes of El-B and DJ Madd the future is looking bright for the young man.


Tracklist:

The Streets – Has It Come To This [Locked On]
Zed Bias & DJ Principal – All Night Jam (Steve Gurley Remix) [Public Demand]
Antonio vs. Dubcentral – To Da Beat [New London Soul]
Amira – My Desire (Dreem Team Remix) [VC Recordings]
Anthill Mob – Burnin’ [Confetti]
Nu Klass A – Spread Love (2 As 1 Remix) [Public Demand]
The Wideboys – Stand and Deliver (4×4 Mix) [Ice Cream]
Gant – Sound Bwoy Burial (187 Lockdown Mix) [Positiva]
R.I.P Productions – Jump To It [Ice Cream]
Nu Birth – Anytime [Locked On]
Fierce – So Long (Bump ‘n’ Flex X-Rated Dub) [White Label]
M:Dubs feat. Lady Saw – Bump ‘n’ Grind [Locked On]
DND – Diamond Rings (No MC Mix) [DND Productions]
Nu Klass A – The Rhythm (Steve Gurley Remix) [Public Demand]
Unknown – Unknown [White Label]
El-B vs. Kelis – Get Along With You (White Label)
Burial – Near Dark [Hyperdub]

A full interview Dummy Mag conducted with the man himself can be read here and his rolling remix of 'Basic Space' by The xx can also be downloaded from the site here.

.Fukhed.

Sunday, 14 February 2010

Nu Levels.

With old-skool garage being heard more and more in the clubs of late, it seemed fitting, way back in July '09, that one of the legends of the deep garage scene would be refreshing the presses with new output on his own Ghost Records imprint. Making his Manchester debut (of sorts: he was booked for a night nearly two years ago but managed never to arrive) at DrumClinic on Friday of last week, El-B's set was a perfect blend of classic tracks such as 'Buck & Bury', 'The Club' and 'Neighbourhood' alongside a selection of more recent bangers (i.e. 'Tron') and exclusive forthcoming tunes. Catching a word with the man himself after his set, HEDMUK quizzed him about the official release date of the much whispered about 'Nu Levels' compilation, its launch and, perhaps most excitingly, his collaboration with serial socialite Burial. The collection, he said, is set to drop in the second week of April (beginning on the 5th), the date being marked with a Ghost Records showcase at Fabric. Speaking vaguely on the collaboration, El-B commented only that "you can tell which bits I've done, and what he's done", which promises something particularly interesting as Burial has previously been open about the influence El-B has had on his own productions, particularly in terms of percussion. So (nearly) a date for the diary then, and if not, just cop this one instead: http://www.boomkat.com/item.cfm?id=163757

.Fukhed.
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