Showing posts with label Congi. Show all posts
Showing posts with label Congi. Show all posts

Thursday, 13 February 2014

Review: Congi - Tidal Fragments LP


Words: Silas Howison-Waughray

In the last couple of years, the Chord Marauders have captured the attention of the underground dubstep scene with their melodic and soulful take on a sound that has been through countless reincarnations and reinventions. Congi’s debut LP ‘Tidal Fragments’ on the developing imprint is exemplary of the Marauders' ethos.

With a number of impressive releases and tracks already under their belts, Congi have acquired a substantial following in recent years and 'Tidal Fragments' eloquently highlights their exceptional capabilities at every level of production. The LP opens with ‘Clouds’, a mysterious, swung and sample-based quasi-soundscape that sets the tone for the rest of the album. From then on in the LP moves seamlessly between rolling percussive tracks like ‘LOTP’ to melancholic, stripped back head-nodders like ‘Attenuation’ - the latter providing one of the album's real highlights.

Aspects of the album are heavily reminiscent of illustrious days past but the forward-thinking vision of Congi stamps a unique picture across the LP and pushes their sound in a new and exciting direction. There are a number of collaborations with eminent CM teammates, Geode, B9 and Jafu. Geode’s contribution to ‘Flow One’ is obvious, with his signature dark sound scattered across an addictive drum beat, ominous melodic intervals and subs. The album sits roughly around 140bpm with two really interesting exceptions, ‘Spoken Word’ and ‘Transparent’, which draw attention to Congi’s as yet largely-unexhibited versatility.

To be honest, every track on this LP is worth a mention and it’s truly difficult to fault. With this release in tow the Chord Marauders will undoubtedly continue to develop and expand.


Congi - Tidal Fragments will be released on limited edition CD from the Chord Marauders website on Friday the 14th 2014, with the main digital release following on the 28th.

Silas has written for Gottwood, Urban Nerds, Mavrik, and MisDigest, is one half (guess which) Silas & Snare Surgeon, and a resident DJ for the Leeds-based Brotherhood Soundsystem.


Monday, 10 December 2012

Free Download: Nanobyte - Lost Time: The Remixes [Innamind 1 Year Anniversary]


When Innamind Recordings boss Jeremy announced that the label was due to celebrate its one year anniversary this December it served as a sharp reminder as to just how far the imprint has come, and how quickly: Innamind has, over twelve rapid months, become a tight and efficient machine, pushing out quality material on a regular and consistent basis without having to sacrifice anything of quality or artistic value to meet its own mechanistic specifications. Quality is an important word here too, as while many labels would struggle to put out releases at a rate of almost one a month and still maintain the close attention to detail and upfront A&R work required to ensure that everything hitting the shelves - be they virtual or not - the Innamind tag has become, in a way, its own seal of approval.

When speaking to DJ Thinking about the origins of his labels Black Box and Box Clever, he couldn't stress enough the importance of a new label establishing its own identity in order to put its own stamp on the scene; and it seems fitting that Innamind's stamp-like artwork has become, over the last year, symbolic of the label's development into something which has developed and almost grown into its own striking, and reliable, identity. And with the recent announcement of a third vinyl release dropping in January, this time with with the inimitable Gantz at the helm, it seems that this strong run is set to continue apace.

To celebrate this first milestone, as seems fitting, we've linked up with the minds behind Innamind once more to deliver a selection of free music which shows off just a slice of some of the talent that the label plays host to. Taking a standout track from Nanobyte's debut release on the label, and putting it in the hands of Gantz, Anex, Occult, Dubtek and Congi to take on remix duties, the results are as varied an pleasing as you'd expect.


Download: Nanobyte - Lost Time (Gantz Remix)

Download: Nanobyte - Lost Time (Occult's After Dark Remix)

Download: Nanobyte - Lost Time (Dubtek Remix)

Download: Nanobyte - Lost Time (Anex's Push Up Ya Lighters Remix)

Download: Nanobyte - Lost Time (Congi Remix)


Download: Nanobyte - Lost Time: The Remixes [.zip]


Preacha.

Sunday, 9 September 2012

Featuring: Fable


Mary Anne Hobbs once said there must be something in the water in Bristol, as there was no other apparent explanation for the seemingly endless stream of talent bubbling out of the city. Whatever it was that was enhancing the River Avon then must, we have to speculate, have also made it's way down the Trent to Nottingham, such is the wealth of inspiration that seems to be decorating the city currently. Fable is one of a number, and impressive variety, of producers hailing from the area who are gathering a momentum which is firmly cementing a credible position for Nottingham on the UK's musical map. Fable makes music which wears its influences proudly, but without an awkward hybridity: influence is adopted as an extra element, something which adds character to a core element of warm sub-bass and tight-rope percussion rather than being a fence-post from which the tune hangs like some sort of single lost glove. Ultimately the key is a resulting originality and this is something which Fable, along with the rest of his Notts cohorts, are constantly striving towards and, more and more, achieving with clarity. With this in mind, it was only right to invite him for a chat and to contribute the latest in our mix series.


Hedmuk: As an introduction, what's your name, where are you from and how would you describe your sound?

Fable: Hello, I'm Fable and I'm from Nottingham, UK and I produce dubstep music. My beats hold a range of influences; they mainly consist of raw percussion, rolling subs and anything else over them two things that I think sound good.

H: You've been producing for around seven years now, and started at an early age: what was it that lead you towards producing in particular? Would you say that you're from a musical background?

F: Well I have an older brother who used to listen to a mix between garage and hip-hop, so I was always around that sort of music growing up. I really got into hip-hop and wanted to start making beats but didn't have a clue how, and I remember my Uncle gave me this music magazine which came with a free copy of Ejay. So it started from there, sequencing ready-made hip-hop loops. Then I wanted to progress on to something more challenging, so my mum bought me Fruity Loops for my 14th birthday - and from there I took producing beats more seriously.

I wouldn't say I'm from a very musical background at all, my mum had loads of 70's records that she bought in her teen years and my brother had a load of Michael Jackson cassettes, but that's about it.


H: Having produced a wide variety of styles in the past, is this something that you continue to do? Or has your approach to production become more focussed?


F: Yeah I'm definitely going to continue to write different styles of beats - I have too many influences and icons to stick to one style. It depends what mixes I'm listening to and which producers are pushing boundaries, which then inspire and influence my input to be more creative.



H: You've recently seen a couple of releases come out on Redshift-One; how did this come about? The first of these was a vinyl only release, is this something that you generally consider important when deciding to go ahead with a release?

F: Tallan, who runs Redshift-One, got in touch with me and we started sending each other loads of beats and I guess it went from there. He originally wanted to sign some of my older material but I lost a lot of my original session files because my PC broke down. So I made 'Bad Circles' and sent it to him and straight away he wanted to sign that. Then recently I made a track called 'Roots' and Tallan really wanted to sign that for the second Redshift-One release, which is a digital compilation featuring tracks from myself, Congi, Gantz, Subreachers and more.

Yeah to me vinyl is important because it was the first format that I started independently buying music on, so to have my own music released on vinyl is like a dream come true!

H: Nottingham seems to be a very healthy place for music at the moment, with lots of people working hard to push the city's homegrown talent: what's your view on this? Do you feel, being from Nottingham, like a part of something that is positive and progressive?

F: I agree with you -  at the moment there's lots of producers working together and showing each other support which I think is important and what dubstep is about. A great thing about Nottingham is the amount of local support people show you; sometimes I don't realise how many people actually listen to and appreciate my music.

For such a small place, Nottingham is definitely a progressive city with a lot of positive input and great potential to go further.

H: You're also a member of PlayNoGames (PNG); tell us a bit about the thinking behind the collective, who else is involved and the music that you release under the PNG title.

F: PNG is like my music family: Solero, Congi, Neon and our host MC, Pubman. We started working together around 2010. Between us we have so many influences, and therefore try and push and represent all elements of dubstep music. We've been putting out free music for a while now and have received some great support, locally and world-wide. You can download all our free EP's here.



H: How did you go about putting together the mix you've recorded for us?

F: For the mix I've recorded I wanted to include some exclusive music as well as released stuff too, so there's a couple unheard dubplates in there as well as some old favourites. I think it's an enjoyable mix and includes a good variety.

H: Finally, are there any forthcomings or anything else in the pipeline that you'd like to put the word out on?

F: For now, I'm sitting on a lot of music. I've been spending a lot of time in the studio with my boys Congi too, so keep an ear out for some music from us.



Download: Fable - Hedmuk Exclusive Mix


Tracklist:

Mr. Rigsby - Run [Soul Prolapse]
Skream - Shake It [Tempa]
Goli & Ashburner - Field of Vibrations (Core Remix) [Dub]
Arkwright - Pum Pum (DT Remix) [Dub]
Parson - Throw Some D's [Planet Mu]
Congi - Cult (Gantz Remix) [Dub]
Congi - Disorder [Dub]
Congi - Disorder (Fable Remix) [Dub]
Fable - Untitled Dub [Dub]
Mala - Left Leg Out [DMZ]
Kontext - Plumes (Relocate Remix) [Immerse]
Fable - Oscillating Dreams [Dub]





.Preacha.

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