Tuesday, 30 July 2013
Free Download: Benton - The Free EP: Vol. 2
Following the success of an immaculate debut album, Benton - a producer with whom we've enjoyed a long history - is drawing the silver lining from his computer packing up by giving away a series of free EPs. The first dropped through FatKidOnFire, and we present the second to download here exclusively.
More of a mini-album than an EP, Benton's got his full arsenal on show here: 'The One They Fear' marries subweight with a haunting, dusklight top line; 'Evening Departure' drifts through ambient beginnings into an intense Amen workout; 'Facedown!' is the sort of rowdy, angular stomper that defined Benton's early appearances on N-Type's Rinse shows; 'Dun Spark Da Philly' is pure dancefloor decadence, with pounding Roland drums skirted by a drunken synthline; and the best is saved for last as his take on Hackman's 'Close' elevates the summer anthem to a new level, we can see this one soundtracking a few late night beach parties over on the Croatian coast come September...
Download: Benton - The Free EP: Vol. 2 [.zip]
Download: Benton - The One They Fear
Download: Benton - Evening Departure
Download: Benton - Facedown!
Download: Benton - Dun Spark Da Philly
Download: Hackman - Close (Benton Remix)
W.
Tuesday, 27 November 2012
Free Download: Benton - Dem A Gassed
Just a few months on from our first reveal of Benton's 'Dem A Talk' version, he's given it away a a free download: providing fans with a chance to hear the deadly second drop, clear of Mavado's almost haunting vocals. The instrumental itself is a much darker take than the TMSV remix which set this particular bootleg trend running, but this doesn't detract from the apparent ease with which Benton weaves the vocal into, and accentuates, the groove of the tune.
Download: Benton - Dem A Gassed
W.
Sunday, 28 October 2012
Featuring: FNC
Fornax and Content are two producers who've been lurking on the Hedmuk radar for a little while, and with a combination of their respectively organic and tech-y styles as FNC it was about time to get them on the line for an interview and to have them contribute a mix (their very first under the new moniker, no less) to our exclusive series. And it is that combination of styles which is so appealing; take, for example, the music made by Pinch and Distance as Deleted Scenes: each producer has their own clearly-established sound, and yet the combination doesn't sound like an uneasy mesh of textures but rather something refreshing and of itself. Gaining pace so quickly, and with collaborations with the likes of Razor Rekta and DCult in the works, we're looking forward to see where the duo will evolve to next.
Hedmuk: To introduce yourselves to those who don't know, what are your names, where do you come from and how would you each describe the music you make as FNC?
Fornax: My name's Aaron aka Fornax.
Content: My name's Tony aka Content. The music I guess I will let Fornax describe...
F: Magical
C: Right! That sums that up, then.
F: No seriously, we tend to make [music at] 140bpm and we have a strong emphasis on drums and percussion.
C: Well we got there in the end - there was at least 30 minutes work and this was the best answer we could come up with (laughs).
H: How did you both first get into making beats? Have you found that you are approaching production from a similar angle, or do you benefit from differing in this area?
C: I started 2 years ago, working with Benton under the Organics alias. He showed me everything I could need to know at that stage, I guess. I didn't really get into writing beats on my own until September last year, when I got back from Outlook.
F: I guess I started over 2 years ago: I watched a video about a KORG Electribe. I bought that...wish I still had it. Then I guess that opened the door to electronic music production; that got me asking questions around how other sounds were made. I didn't really know what to do at that point or what genre I wanted to make. I joined Uni doing Music Production, but I only started making dubstep around December 2011 -
C: - Before Fornax starts with all the geek squad shit; we totally approached it from different angles at the beginning. He's all about colours and things being in the right place, and I just like to get the idea down. But this has completely changed in the last month
F: I've turned him: he works my way now.
C: True.
F: Our styles still differ, but we do work off the same platform now.
H: How did the FNC project come about and how do you go about working on the tunes together? Do you prefer to work on developing stems independently or get into the studio together?
F: Basically Content was badgering me, messaging me for a couple of months and eventually I gave in (laughs) and we worked on what became 'Opticks'.
C: At the time I just wanted to do a collab, but we worked well together: that tune ['Opticks'] was done in 8 hours max. After the initial plays of 'Opticks' on J:Kenzo's Daily Dose of Dubstep show, and because the ideas were flowing so easily, we just never stopped. Eventually we just settled on FNC as a name.
F: Mainly because we couldn't think of a better name.
C: Besides, like, Boys Brigade or something overly camp.
FNC: We bounce ideas off each other, we talk about what type of tune we want to write (the type of sound we are after) and then we usually take it in turns to start a project. We just bounce it back and forth via Dropbox. We've only actually met once and that was to make 'Apraxia'.
C: Ideally we would prefer to be in the studio together more, but due to living a few hours apart this isn't always possible. If we got a bigger project on the go, like and album or something, I think one of us would have to relocate - i.e. Fornax! (laughs).
H: Since you've both also working hard on your own individual productions, as Content and Fornax respectively, how do you go about deciding which ideas to continue with on your own and what to use as material to collaborate on as a duo?
C: I guess we have kind of stopped individual work at the moment.
F: We do have the odd bits that we are doing, like I have a remix coming up to do and will have to fit that in when I can.
C: We don't start a track that we don't finish, mainly because we always discuss the idea and the concept behind what we want to make next.
H: Your tunes have been picked up by a number of big players recently, including the likes of Plastician, N-Type and Joe Nice; how does it feel to have your music spread to such a wide and varied audience? And do you feel that this puts pressure on you or challenges you to progress with your productions?
F: Content was taking the piss out of me because I got excited about someone following me on Twitter a few weeks back. So to be played by some of these guys is humbling.
C: Fornax has covered it there: humbling. I don't think it puts any extra pressure on us, but I would say it challenges us.
F: We have been focussing on improving our production techniques and we have really upped out work rate to try and give us an edge.
H: Take us through how you went about putting together the mix you've done for us.
C: When we sat and discussed what we were going to do, we both clearly wanted to use this as a showcase of our sound, so we took a couple of weeks to make some new music that people hadn't heard.
F: We just wanted to put across the sound we're creating as well, as include some artists who inspire us.
C: I said I wasn't going to mix it as I am already known for my DJing, so I thought I'd slap this one in Fornax's lap! He did a grand job.
F: Content would have just spent all day crying about what key things were in anyway (laughs).
H: Finally, are there any forthcomings or anything in the pipeline you'd like to put the word out on? Can we expect to see FNC appearing on flyers in the near future?
F: We are in talks about releases, but we haven't as yet agreed tracks and put names on paper.
C: We don't really want to release music just for the sake of releasing music: it's got to be right for the sound.
F: We have got a track featuring on the next Dubstep Allstars, though, so that's one milestone we can shout about. DJing-wise, it's something we feel we are now ready to take on; we held off on a couple of bookings as we wanted to make sure we had the material to showcase FNC not just 'F' or 'C'.
C: If you are interested in booking us you can do it via the email FNCdubstep@gmail.com or get in touch with one of us via Twitter.
Download: FNC - Hedmuk Exclusive Mix
Tracklist:
FNC - Incognito [Dub]
FNC - Necrosis [Dub]
Core - Cyborg [Dub]
Sleeper - Zodiac [Dub]
FNC - Zen [Dub]
DCult - Xpansion [Dub]
FNC - Prism [Dub]
FNC - Unspecified [Dub]
FNC - Code Signal [Dub]
Fornax - Unconscious [Dub]
Widowmaker - Abscess [Dub]
FNC - Apraxia [Dub]
FNC - Ventral Thorax [Dub]
FNC - Quarantine [Dub]
Razor Rekta - Tugboat [Dub]
FNC - Mindless [Dub]
FNC - Interference [Dub]
Kaiju - Old Man [Dub]
Content - Osmosis (Content Special) [Dub]
FNC - Disillusion [Dub]
FNC - Archaic [Dub]
Preacha.
Monday, 26 March 2012
Free Download: Benton - Alicia
Despite claiming this one as favourite of those he's made, Benton today has simultaneously captured the early waves of the British summertime, celebrated reaching 2000 followers on Twitter and avoided troublesome sample clearances by giving away this smooth jungle-tinged roller for free. That he's giving away one of his favourite tunes, furthermore, can only suggest big things are to be expected from his debut LP, 'Reflections', which is due to drop this year on N-Type's Wheel & Deal Records.
Download: Benton - Alicia
.Preacha.
Wednesday, 4 January 2012
Free Download: Goli & Ashburner - Field Of Vibrations (Benton Remix)

A tune that received heavy rotation on Youngsta's Rinse show last year, Benton's reworking of Goli & Ashburner's taught half-step gives focus to the eery atmospherics of the original, hanging them over walking drums and a swelling bassline.
With an album due for release this year on Wheel & Deal and an appearance at tomorrow night's FWD>> alongside label boss N-Type, 2012 is already looking like a good year for Benton.
Download: Goli & Ashburner - Field Of Vibrations (Benton Remix)
.Preacha.
Monday, 18 July 2011
Featuring: Benton

Benton: I'm Benton, I live in South just out of London. I suppose I would describe it as a deep bass driven half-step electronic sound.
H: How long have you been making beats? How did you get into it?
B: I've been making beats since about 2007 but back then I was only fucking about. I think I've been making music seriously since I made the original have it your way and heard it played out by Unitz. I got into making music through my mate Sam (Arc-88). He had a mac so when I was about 16 I used to sit there when he'd go out and fuck around making some sounds but I had no idea what I was doing. Then he introduced me to unitz one day and he pretty much taught me about putting sounds together!
H: You first caught our, and others', attention with a more aggressive, dancefloor-projected style but have recently been coming with more deep, half-step vibes: do you usually have a few different projects on the go or do you move more transitionally through making different styles?
B: Yeah I mean I've always written different kind of styles it depends on what mood I'm in. I used to sit around and just make crazy bass sounds all day then realised that the drums where the harder thing to get right, when I'd sit down and write a drum pattern it would always end up being a deep rolling kinda vibe. I still make tear out stuff, I try not to stick to one style because I'll just end up boring myself!
Benton - Wormholes by BENTONDREAD
H: Does this diversity with the tunes you make encompass a wide array of influences? Are your influences mainly musical, or do you take inspiration from other things aswell?
H: You've collaborated with Unitz and your refix of Goli & Ashburner's 'Field Of Vibrations' has gained a lot of attention: do you enjoy working alongside other artists in this way, and is it something you plan on continuing with?
B: Yeah I enjoy collaborations sometimes but I prefer doing remixes for people! I like working with vocals so if there's a sample like in the F.O.V remix I'll give it ago
Benton - Take me away by BENTONDREAD
H: With an album already in the making after relatively few, although well-received, releases, do you feel that there is a lot of pressure on you to deliver?
B: Hell yes! But you know I got thrown in at the deep end and there was a time a few months ago I was a bit like 'ahh' I gotta write this thing! but now I'm just chillin making some beats and gonna try piece them together soon and see what happens!
H: Take us through how you went about putting together your mix for us.
B: Hold up let me put it on...
Well there's been so much good dark music out recently. I hear so much shit everyday like the scenes shit, it's dying, etc but if you dig a little deeper you'll find that it's still going strong and in my opinion as long as people keep doing what they are doing and ignore whatever hypes going on around them they will realise that it's all good. So this mix is pretty much deepness from start to finish which is rare for me to do but I enjoyed it.
H: Finally, are there any forthcomings or anything in the pipeline that you want to put the word out on?
B: Skeptics & Therma-Stella forthcoming on Black Box, 2020 & Zardoz Forthcoming wheel & deal and Hermans Hideout & Sleepless (possibly some other tunes) again on wheel & deal!
Download: Benton - Exclusive HEDMUK Mix
Tracklist:
- J:Kenzo - Voyager (Dub)
- Fat Freddy's Drop - Cays Cray (DMZ remix) ( TEASE)
- Biome - Quest (Dub)
- Goli & Ashburner - Fields of Vibration (Benton Remix) (Dub)
- Digital Mystikz - Blue Notes (DMZ)
- Benton Ft. The Kemistry - The Core (Dub)
- Kryptic Minds - Cold Blooded (Osiris Music)
- Benton - Wormholes (Dub)
- Thelem - Drones (Forthcoming Orientis)
- J:Kenzo - Protected (Tempa)
- Benton - 20/20 (Forthcoming Wheel & Deal)
- Skream - Memories of 3rd Base (Digital Soundboy) (TEASE)
- Benga - Middle Man (Big Apple)
- DJ Madd - Good Old days VIP (Black Box)
- Benton - Sleepless (Forthcoming Wheel & Deal)
- LX ONE - Give It Up (Wheel & Deal)
- Matt-U - Empty Inisde (Forthcoming Osiris Music)
- Benton Ft. Shanie - Life (Dub)
- Icicle - Minimal Dub (Shogun Audio)
- Kryptic Minds - The Fifth (Black Box)
- J:Kenzo - The Roteks (Tempa)
- Icicle Ft. Proxima - Breathing Again ( Shogun Audio)
- LX ONE- You ( Wheel & Deal)
- Benton - Take Me Away (Free)
- Mala - Mountain Dread March (DMZ)
- Kryptic Minds Ft. Youngsta - Arcane (Black Box)
- Ramadanman - Glut (Hemlock Recordings) (TEASE)
Friday, 4 March 2011
Featuring: District

HEDMUK: To introduce yourself to those who don't know you yet: what's your name, where are you from and how would you describe the beats you make?
District: Hi, my names Dan. I'm from Coventry, England and I produce beats under the alias 'District'. I'd describe the sound I aim for as dark and bass heavy.
H: Are you from a musical background or was it something you picked up yourself?
D: I've played guitar since I was about 9 years old, from the age of about 18 - 23 I was playing in bands, death metal, hardcore punk, that kind of stuff. Rad times....
H: Where do you draw your influences from?
D: Loads of things. Music wise, quite a lot of drum and bass, techno, jungle, all that autonomic stuff, metal, hardcore, I'd definitely say that now I’m not in a band I’ve tried to sneak little hints of that in my tunes. I've always been fascinated with movie concepts and things like that, it’s probably a cliché to say this as an electronic artist but Vangelis' soundtrack to Blade Runner is what made me want to get involved with synths and stuff. A lot of 80's horror and sci fi movies, even some of the worst movies of that decade seem to have more character than anything that’s come out in the last ten years or so. I’m probably being a bit more dismissive here. anything to do with Stephen King, Clive Barker, John Carpenter anything that Tom Savini has played a part in, anything to do with those guys are full of atmosphere and creativity. They didn't have computers to rely on.
H: When did you start making beats?
D: I went to college about 5 years ago to learn how to record bands and stuff, I met sleeper on the same course and he showed some drum and bass he was making at the time on the same software we were using to record. I've been mucking around for a few years but only really started taking it a bit more seriously a year ago when I stopped playing in bands. '3.5 grams' was the first tune I finished that I was happy with and could be classed as dubstep.
3.5 grams by district
H: Tell us a bit more about you relationship with Sleeper. Do you see yourself as a production duo or do you prefer to define yourselves individually?
D: As mentioned in the other answer I've known him for a little while. When I started getting a bit more confident with the sounds I was making he was the first person I sent anything to. We've been collaborating on a few different things for the last year or so, different tempos etc. I think we both have strengths as individual producers; he's been producing a lot longer than me so when we combine we try to play on each others different strengths. Even on individual tracks we send each over the tunes for feedback etc.
Oh, and playing Trials HD while one of us works on individual parts of the tune. It might seem a bit backward playing the Xbox while collaborating but switching off for 20 minutes or so while one person works on the track helps us keep the track fresh in the ears. If we were both hovering over the pc all day both our ears would get knackered.
H: Youngsta has been playing a few of your beats recently. What does it mean for you to have someone as influential as Yunx listening to and playing out your tunes?
D: Yeah it's big. Both of us are big fans of Youngsta and the sound he pushes. The exposure has definitely helped us out a lot and continues to do so. I'd have to credit Distance as well though for playing the beats out first, he found us and introduced our tunes on to Youngsta as well as a lot of other people.

D: For sure, the last few months in particular I think have been fruitful. Distance, Tunnidge, Cyrus and Youngsta have given Sleeper and Myself pointers. Not just from a production aspect either. Hopefully that’s visible on some of the newer tracks that feature on the mix. The learning curve keeps production interesting for me as well as a challenge. There's a definite science to producing this kind of music, I don’t mind admitting I still have a lot to learn.
H: There is a new generation of producers gaining increased exposure within the Dubstep scene with the likes of Lurka, Killa and Instinct, TMSV, J: Kenzo, Benton, Sleeper and yourself all leaving lasting impressions of recent. Do you feel there is a renewed energy? What does it mean for you to be part of it?
D: It’s awesome. Every single producer mentioned there has a distinct sound and character to their beats, and that’s important. Without speaking directly for the others, there seems to be a slight push against some of the music that’s been put forward as dubstep over the last couple of years as its popularity has increased. I wouldn't want to discredit anybody else’s work or say it’s not dubstep. Right now it’s about being positive about the sounds everyone is pushing, and focusing on that. Its sick how many different people have started to creep out over the last 18 months or so with the same attitudes and enthusiasm for the darker sounds.
H: Tell us a bit about the mix you’ve put together for us.
D: Well, it’s just the sort of tunes I feel as a producer I want to represent, there's a lot of stuff from myself and Sleeper as well as a few other producers. It’s not too far from what I’d play out in a club environment. Hopefully people will enjoy it and can hear where I'm coming from.
H: Finally, any news, future projects or releases in the pipe-line?
D: I've got a few things on the go, I’m in the middle of finishing off the first few collaborations of mine with sleeper, a four way thing with myself, Sleeper and Killa and Instinct that I’m looking forward to as well as individual tunes. Release-wise, there are some things in the pipeline but that’s all I’ve got to say at the moment on that subject...
Tracklist:
Sleeper & District - Dungeon Style (Dub)
Myrkur & TMSV - Icarus (Dub)
Cyrus - Underworld (RTP)
Sleeper - The 2nd Step (Dub)
District - Gutter (Dub)
Distance - Jungle Fears (Chestplate)
J:Kenzo - Nocturnal Feelings (Forthcoming Tuba)
Sleeper & District - Angry Birds (Dub)
District - Haymaker (Dub)
Lurka - Forgotten Ones (Dub)
District - 3.5 Grams (Dub)
Tunnidge - Control (Dub)
District - Notes (Dub)
Thursday, 3 March 2011
Free Download: Benton - Take Me Away

Arguably one of the fastest-rising producers in the scene at the moment, Benton's technical ability in building tunes is clear. With a diverse output which represents the full range of sound from deep, spacious beats to more aggressive, jump-up tunes with a dancefloor focus. 'Take Me Away' falls closer to the former category, and drapes a haunting female vocal over a halfstep beat and snatches of synth.
.Preacha.
Friday, 10 December 2010
Free Download: Crazy Titch - Singalong (Benton Remix)

Through his unique approach to producing aggressive jump-up dubstep tunes whilst retaining a noticeable degree of control, Benton has been on a fast rise this year with his tune's getting battered by the likes of legendary up-tempo selectors N-Type and Chef. And despite still being locked up, Crazy Titch has launched something of a comeback this year with the release of the hugely anticipated 'Crazy Times 2' mixtape, and having his 'Silencer Freestyle' featured on the groundbreaking 'This is UK Grime' compilation.
This remix, then, is the perfect blend of instrumental and vocal as Crazy T's characteristic hyped delivery and bars are backed by a simple combination of big oscillating basslines and a hard-hitting snare.
Download: Crazy Titch - Singalong (Benton Remix)
.Fukhed.